Album Review : Michael O’Connor : The Devil Stole The Moon
Sep 10, 2011 Album Reviews
Former Artist of the Month, Michael O’Connor returns with another amazing release. How often are you discussing an artist and something is mentioned about how their early records or debut is really the greatest work they’ve done ? With O’Connor, this is most certainly not the case.
On The Devil Stole the Moon, O’ Connor shows that he’s has continued to grow as a songwriter and performer. The record has a very dark feel, with the seedy characters that you have to love that populated his release with Adam Carroll last year.
With a rhythm section consisting of Rick Richards on drums and Jack Saunders (Bass), O’ Connor fills in the rest of the record by playing everything short of the kitchen sink. The ability to make a record that sounds complete without over production, shows that musically O’ Connor is a force to be reckoned with. Another thing that I noticed while listening to the album is the similarities to Warren Haynes’s vocal style, another singer that I believe to be thought of as a guitar player before a vocalist. In both cases, I believe this to be a great injustice as their vocal qualities are what drew me to both artists.
Michael’s songwriting has always been phenomenal and this release is no exception, as he wrote or co-wrote every song on the album. While I love his work as a sideman especially with Slaid Cleaves (and I’m sure those gigs pay his bills) , The Devil Stole The Moon really hammers home the fact that O’Connor should be doing his own thing full time at this point.
Highlights on this record include a couple co-writes with the aforementioned Carroll, “Raining on the Dark Side” and “Rough Side” which would have felt right at home on Hard Times. The title track rivals “Devil’s Lullaby” as my favorite O’ Connor track to date, with lines such as “…with the courage for the blade, but not for the blood…” this sinister sounding song really showcases his ability with word play.
“Burn”, the story of a tired rock n roller, features some really classic O’ Connor guitar work, where he seems to know exactly what to play and when. The song really captures what I imagine it feels like to continue touring and playing shitty bars long after it has lost its appeal. Following that is the “Homesick Boy” the album’s closing track that is somewhat the singer songwriter companion to “Burn”, with lyric so good I could quote them all here.
After only one listen of this album, I was convinced it was his best effort to date, and I love his other records. It is available now on his website and other places that you can purchase music.
Album Review : Slaid Cleaves : Sorrow and Smoke
Sep 3, 2011 Album Reviews, Uncategorized
It’s been quite a long time since I posted anything on this site, let alone a review that I wrote. I can think of no greater album to give me a reason to return and the motivation to press forward.
I have to start this review by stating a couple things. First, I love live albums and second I have been eagerly awaiting a live album from Slaid Cleaves.
Sorrow and Smoke : Live at the Horseshoe Lounge, will be officially released this coming Tuesday and no doubt will have a lot of people excited to hear what Slaid has to offer. The record was recorded at the famous club that Slaid immortalized in song on his album, Brokedown, over two shows in the first half of 2010.
Alongside Slaid on this one is longtime lead guitarist/ backing vocalist, Michael O’Connor and multi-instrumentalist,Oliver Steck. As always Slaid’s voice is in top form, Michael’s guitar work is spot on and Steck’s contributions really fill out the songs in a live setting. I have never had the pleasure of seeing Cleaves live, but if I do I would be quite happy if this were the lineup as the three of them play well off each other and give the songs a great over all sound.
Now for the songs that appear on this double disc set. The selection of tracks on this record is perfect. They span Slaid’s entire career and include every one of my favorite Cleaves’ originals as well as a couple yodeling Don Walser tracks. If I were to create a setlist for a Slaid show this album would not be far off of what I would write down.
Highlights for me pretty much consist of my favorite Slaid songs, there are great live versions of “Brokedown”, “Drinking Days” and obvious crowd favorite, “Horseshoe Lounge”. The aforementioned Walser Yodeling set is preceded by what Slaid calls a warmup yodeling song, “Horses”.
It was also nice to see that a few of the best tracks from 2009′s studio effort, Everything You Love Will Be Taken Away, are also included on this set. So often when someone releases a live album they avoid songs from their latest release and if that were the case here it would have been highly disappointing. Included here are the Rod Picott co-write “Black T-Shirt”, “Tumbleweed Stew” and another co-write this time with Adam Carroll, ” Hard to Believe” .
A few more standouts include the crowd participation heavy, ” Breakfast in Hell”, in which the audience is turned into a logging crew as they assist the hero Sandy Gray break a log jam, before, he, like so many other folk heroes, gives his life for the cause. Also my all-time favorite Cleaves track, “One Good Year” shows up towards the end of the second disc. This song includes the line “I’ve been chasing grace, but grace ain’t so easily found” which has been a favorite line of mine from the first time I heard it and live the song has an even deeper feeling of desperation. Closing out the set is the previously unreleased “Go For The Gold”, a spiritually based song about the one rule we all should follow regardless of religious beliefs.
After just the first listen of this live record, it landed on the short list of my favorite live offerings and definitely one of the best things to be released this year. It only makes me want to check out a Slaid show even more than I already did. My only complaint about the record is that he avoided the cover songs from his album, Unsung. While I understand the reasoning behind not putting a ton of covers on the album, and really wanting to highlight the Cleaves’ songs and co-writes, I do really like some of the songs on that album of covers and would love to have heard some live versions.
With only that small complaint this album is wildly successful in my book and is absolutely a must own. I do believe the release day is this Tuesday so go over to Slaid’s website and order your copy today !
Tags: adam carroll, michael o'connor, Rod Picott, slaid cleaves
