Artist of the Month, August 2010 : Graham Weber
Aug 1, 2010 Artist of the Month
Posted by
Adam
I have read or heard Weber compared to the likes of John Prine, a young Bob Dylan, Todd Snider, and an early Wilco era Jeff Tweedy. All of those comparisons are fair enough but they really fall short of accurately describing Weber. All that needs to be said about Graham is that he is a great songwriter who has digested the catalogs of all the greats and came through with a voice and a sound all of his own.
Weber began his musical journey in his native Ohio early in this decade. Starting out a little later in life than some, he cut his teeth in various bands in the area before embarking on his solo career. After recording and releasing the mostly acoustic, Naive Melodies in 2003, Graham decided to make a bold move and departed Ohio for the overcrowded songwriting scene of Austin, Texas.
When I asked him a few years later why he decided to make this move at a time when he had begun to develop quite the following in Ohio, Weber replied, “I could have stayed and made enough money in Ohio as a medium sized fish in a small pond (I would argue that most of Ohio’s music scene is just a mud puddle, unfortunately), but I wanted to see if I could make an impact in the ocean that is Austin.” Quite the undertaking indeed, it did not take long for Austin to begin noticing that this guy was not just another wanna be Prine.
The Texas community seems to have embraced Weber and rightfully so. Long time Austin resident, Slaid Cleaves almost immediately took Graham under his wing and has served as a mentor since his arrival . Graham quickly made his move up to playing all of the best venues in the Austin area both as an opener for greats like, Snider, Guy Clark, Ellis Paul etc. and as a headliner.
I personally got turned on to Weber’s music on accident. I received a song swap that Graham had played shortly after the move to Texas with Adam Carroll and was completely floored by the depth of the songwriting that was coming from this unknown artist. After a little research, I was disappointed that he had come from Ohio and that I had never had the chance to see him here. At the time Naive Melodies was his only release so I bought it to see if this one live recording was a fluke or if this was the real deal.
I got the disc in the mail and put it in my car stereo that day, there it stayed for a solid two weeks. Although Weber himself is now disappointed in his debut, I to this day feel that it is one of my favorite records perhaps of all time. The emotional honesty that flows out of all the songs on this record serves as a great introduction to the seemingly complex simplicity that Weber has a way of portraying in almost all of his works.
Naive Melodies displays the heartache that Weber was feeling after a failed relationship, the insecurities of starting a new relationship and his biting sense of humor.This ability to channel such contrasting emotions is the thing that makes Weber stand out among his peers and makes a live show a must see appointment.
“Tight Rope Walking” is still one of my favorite songs in his catalog. “I know your nose caught the smell of whiskey, and I know I came in seven hours late, I can’t believe that you even missed me, tight rope walking that thin line between love and hate”, he sings in this song chronicling the difficulty of finding balance in a relationship.
Inspired by the late Johnny Cash and rapper Snoop Dogg (trust me it works just listen), “Late Show Someday” captures that animosity towards someone who has scorned you and infuses the anger with a sensational amount of humor. This song is completely over the top and that is exactly where it should reside.
I don’t think you can talk about this album and not mention “Oh Roberta” the song that so impressed Slaid Cleaves that he included it on his Unsung release, an album of covers written by his favorite unknown writers. Weber’s song holds its own against a collection of songs from really great songwriters. “Do you still see my silhouette when your lashes start to close, I’d like to know oh Roberta where have you gone?” is my favorite line in this song, sang to the one who got away.
Shortly after settling in Austin, Graham set out to record his first Texas album. With a lot more instrumentation, a great studio band and some impressive guest musicians the result was Beggar’s Blues. Hitting the streets in 2006, this release shows the growth Weber’s song crafting had undergone in just a short time and further established his ability to conduct the emotional roller coaster that is his albums.
Starting off the album is the fast paced, lyric filled “After All”. This song really represents Weber’s mastery of word play. “Self proclaimed soothsayers say they know what no one else knows” , it’s lines like that make this song memorable.
“Love and Money” once again shows Weber’s sense of humor in this song about the impossibility of mixing the two things we need most in life. Along with Weber’s strumming on the acoustic this song features a killer horn section almost giving it a Vaudeville feel. It’s a departure from what he normally does and man does it work.
Inspired by his first Texas Independence Day, Weber wrote the amusing tale of trying to make it in the music business, “Stars and Circles”. While the narrator may not have what it takes to “make it” he is happy enough eking by in the Texas sun.
Perhaps my favorite track on the album is “Avenue A”. The story of a road weary musician trying to find a drink on a Sunday morning in Lower Manhattan. Weber’s vocals in this one really give the lyrics their depth and meaning. He almost sounds like this was recorded after a day like which is described in the song. “They won’t serve Bloody Mary’s til twelve hours til Monday, so I’m shaking and waiting on Avenue A” , the chorus pretty much sums up the song.
2008 saw the release of Weber’s most recent album release, with his most ambitious recording project yet, Door to the Morning. The production value on this one really ratcheted up the quality of the record. Employing more of a pop sensibility and a little bit of Rock n Roll feel, this album is Weber’s best yet. It’s always nice when a great songwriter begins to really find his way in the studio without losing what made him great in the first place and that is what Door to the Morning accomplished for Graham. 
The opening track, “Snow in July” is the prime example of the improvement in the recording. Backed by a full band with great piano and organ parts, Weber is able to maintain the lyrical mastery while really delivering an upbeat rockin’ number. “Sometimes your friends turn to foes and it snows in the dead of July” is just one of the great lines that Weber drapes over the musical backdrop the studio band lays down.
Following the upbeat feel of the opener, comes the piano and slide guitar ballad, “Candle So Close”. Included in this song are very good backing vocals by Graham’s wife, Michelle Keffer. You can tell those two have spent many a night singing together, because her voice beautifully compliments his tired drawl in this one.
My favorite song on this one is the acoustic and pedal steel based, “Bite Your Tongue”. This one finds Weber at his lyrical best in a song of a lover leaving.
In addition to the three studio albums I have discussed, Weber has released two live samplers that feature unreleased material and the in between song banter that makes his live performances so much more than just a guy with an acoustic guitar.
What amazes me about seeing Graham live is that he is constantly writing songs. Some writer’s see the process of writing a song as work and with Weber they just seem to fall out on the paper. He is consistently writing better stuff that he has already released. He is one of those guys you wish lived in the studio, because he forgets so many of the great songs he has written. One of my favorite things to do is request a song I have heard him play prior and see if he remembers it. If you go see him anytime in the future ask him to play “The Hooker and the Hitman” , an eight minute song of an unlikely love, and tell him Adam told you to do it.
Perhaps the most telling thing I can say about how great I think Weber is, is that I have had to purchase all of his records at least twice each because I have given them away to share them with others. I found out that he is currently working on the follow up to Door to the Morning. Tentatively titled, Women, it is going to feature a mostly female backing band and harmony vocals in addition to a co-write with Slaid Cleaves. I know I am looking forward to this release which will hopefully come later this year.
Weber will making his first trip back to Ohio in two years in a couple months and I hope to catch a show or two and have him on the podcast. In the meantime you can visit his website www.grahamweber.com and find links to buy his records and such. Later this week I will post a live Weber show to download.
Here is a video of Weber playing “I’ll Take Texas” an ode to his adopted home:
Tags: adam carroll, Artist of the Month, bob dylan, Graham Weber, john prine, slaid cleaves, todd snider




November 3rd, 2010 at 5:37 pm
[...] check out some Carroll’s work. I ended up with a gem of a show, that was a song swap with Graham Weber (August’s Artist of the Month). That show sent me on a journey of discovering everything Carroll had to offer and I have yet to be [...]